http://dx.doi.org/10.1017/S1431927614011805, Delaney, John K. "Application of Visible and Infrared Imaging Spectroscopy to the Study of Paintings." 18, 2005, Paintings Specialty Group Postprints, Vol. 23, 2016 1. Thoury, Mathieu, John K. Delaney, E. René de la Rie, Michael R. Palmer, Kathryn M. Morales, and Jay Krueger. AIC Textile Specialty Group Postprints 1995 was dried on the surface of the wash tank after aligning warp and weft threads. "Style and Technique in the Evolution of Naturalism: North Netherlandish Landscape Painting in the Early Seventeenth Century." March 6–7, 2007, edited by Nadine Ballot, 66–72. Gifford, E. Melanie. Karnes, Cyntia, Lisha Deming Glinsman, and John K. Delaney. 57, 93–107. Muir, Kimberley, Allison Langley, Anikó Bezúr, Francesca Casadio, John K. Delaney, and Gwénaëlle Gautier. "Lead White from Venice: A Whiter Shade of Pale?" ered official statements of the Textile Specialty Group or AIC. "Multiple Pigment Selection for Inpainting Using Visible Reflectance Spectrophotometry." Suzanne Davis, with Kari Dodson and Emily Hamilton, 43-80. Souguir, Zied, Anne-Laurence Dupont, and E. René de la Rie. "A Vibrant Surface: Investigating Color, Texture and Transparency in Winslow Homer's Watercolors." INTRODUCTION Doris Duke (1912-1993) was the American heiress of a large tobacco and energy fortune. 69-74. 7, 1994, Paintings Specialty Group Postprints, Vol. Microscopy and Microanalysis 20, no. Archaeometry (2014). "Mark Rothko’s Multiforms, 1946–1950: Transforming the Painted Surface." Paris and New York: Editions Gallimard, 2006. Metzger, Catherine A., and Michael R. Palmer. http://dx.doi.org/10.1179/2047058413Y.0000000112, Angelova, Lora V., Michal Leskes, Barbara H. Berrie, and Richard G. Weiss. the AIC News (prior to November 1991, the AIC Newsletter). Baker, Whitney, Kelly McCauley, and Jia-sun Tsang. http://www.nga.gov/shop/pdfs/collections.pdf, Lake, Susan, and Suzanne Quillen Lomax. "Published on the occasion of the exhibition Van Gogh Repetitions, organized by The Phillips Collection, Washington, D.C., and the Cleveland Museum of Art." Maines, Christopher A. "Common Painting’ and ‘Diligent Fiddling’: Technical Analysis for Insight into the Divergent Styles of Dürer’s Madonna and Child/Lot and His Daughters." Elias, Mady, E. René de la Rie, John K. Delaney, Eric Charron, and Kathryn M. Morales. London: International Institute for Conservation of Historic and Artistic Works (IIC), 2000. Bulliet, C. J., Journal of Imaging Science and Technology 45 (2001): 305–325. Computer Vision and Image Analysis of Art II, Proceedings of SPIE 7869 (2011). "The Apostle Paul by Rembrandt (and Workshop?) "Conservation Science: Applying Chemistry to Understanding Works of Art." Associate Conservator. They have treated such paintings as Rembrandt Peale's The Court of Death at the Detroit Institute of Arts, The Raising of . 19 (2006), Paintings Specialty Group - Postprints, Vol. "The Application of X-ray Fluorescence Spectrometry to the Study of Museum Objects." The Burlington Magazine 157, no. "Mathias Grünewald’s Small Crucifixion: Painting Practice and Personal Style." "Van Dyck’s Painting Technique, His Writings, and Three Paintings." She serves on the Paintings Specialty Group Board of AIC, a Director for the Washington Conservation Guild, and is a past Chair of the Philadelphia Area Conservation Association and board member for the Philadelphia Alliance for Response. "Raphael's Alba Madonna." Additional Information ° V. Routledge (Linden Nazareth) "MS2A Resin - The History of its Development" Conservation News, No. 24–27 October 2007, 217–222. Rathenau,G.W. Mecklenburg, M. F., C. S. Tumosa, and M. H. McCormick-Goodhart, "A General Method for Determining the Mechanical Properties Needed for the Computer Analysis of Polymeric "Madonna and Child: A Painting in the Manner of Mantegna Attributed to the Young Correggio." AIC Paintings Specialty Group Postprints 1999, pp . "Rodin’s Bronze Sculpture: Capturing His Vision, Perpetuating His Legacy." PTTPublications 2002–18. London: The British Museum, 2013. "Painting and Illumination in Early Renaissance Florence: The Techniques of Lorenzo Monaco and His Workshop." In The AIC Paintings Specialty Group Postprints Vol 32 (forthcoming) Co-authors: Richard Hark, Katherine Schilling, Pablo Londero, Marcie Wiggins, Anikó Bezur, Cynthia Schwarz Efflorescence on the Paintings of Edwin Austin Abbey: Examination, analysis, and cleaning of surface bloom on The Spirit of Light . Washington and London: National Gallery of Art and Archetype Publications, 2007. Show full item record. Glinsman, Lisha Deming, and Lee-Ann Hayek. Archaeometry 35 (1993): 49–67. "A Closer Look: Condition Issues in Abstract Expressionist Ground Layers." Studies in Conservation 48 (2003): 73–82. "The Use of Electrochemical Impedance Spectroscopy in the Evaluation of Coatings for Outdoor Bronze." "Understanding Alfred Stieglitz’ Platinum and Palladium Prints: Examination by X-ray Fluorescence Spectrometry." 16, 2003, Paintings Specialty Group Postprints, Vol. http://www.sil.si.edu/SmithsonianContributions/museumconservation/pdf_hi/SCMC-0003.pdf, Bertrand, Loic, Matthieu Refregiers, Barbara Berrie, Jean-Philippe Echard, and Mathieu Thoury. Berrie, Barbara, Francesca Casadio, Kristi Dahm, Yoonjoo Strumfels, Martha Tedeschi, and Judith Walsh. In Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26–29 June 1995, edited by A. Wallert, E. Hermens, and M. Peek, 127–134. Studies in Conservation 49 (2003): 53–62. AIC News 20, no. In Italian Plaquettes, Studies in the History of Art, vol. Santa Fe, NM: American Society for Mass Spectrometry, 1996. Gifford, E. Melanie. 7 (1994), Paintings Specialty Group - Postprints, Vol. GCI Newsletter 17, no. 45th Annual Meeting - Paintings Specialty Group - "Gecko-inspired μ-Dusters for Cleaning: Ongoing Research and Potential for Art Conservation" by Cynthia Schwarz, Hadi Izadi and Kyle Vanderlick. "New Materials on the Renaissance Artists’ Palette." Found inside – Page 140In: AIC Paintings Specialty Group Postprints papers presented at the thirty fourth annual meeting of The American Institute for Conservation of Historical ... 11 (1998), Paintings Specialty Group - Postprints, Vol. "Modification de l'etat de surface et de l'apparence visuelle de surfaces rugueuses recouvertes par différents vernis." "Evaporation of Fatty Acids and Formation of Whitish Deposits on the Inside of the Glass/ Microclimate boxes: a case study in the Mauritshuis". Journal of Chromatography A 809 (1998): 21–37. Art Institute of Chicago, The Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, exh. Additional Information. Distinguished Award for Advancement of the Field, Library and Archives Conservation Discussion Group, Emerging Conservation Professionals Network, AIC Wiki: Resources for Emerging Conservation Professionals, Conservation Wiki: Photographic Materials, FAIC/Mellon Photograph Workshop Scholarship, Professional Development Grants & Scholarships, Build Relationships with Emergency Responders, Engage Your Network with Education, Training, and Activities, Courses in Emergency Management for Cultural Heritage Responders, Emergency Planning Toolkit for Tribal Cultural Institutions, Collections Assessment for Preservation (CAP) Program, Opening, Closing & Concurrent General Sessions, 47th Annual Meeting in New England (2019), Fact or Fiction? Part 2: Artists' Paints." London: Archetype Publications, 2010. Tsai, Joyce, Jay Krueger, and Christopher A. Maines. Check out what Harriet Irgang Alden will be attending at AIC's 43rd Annual Meeting See what Harriet Irgang Alden will be attending and learn more about the event taking place May 12 - 17, 2015 in Miami, FL, United States. In Painting Techniques: History, Materials, and Studio Practice, IIC 1998 Dublin Congress, edited by Ashok Roy, and Perry Smith, 160–165. Ledyard, CT. Lance Mayer and Gay Myers have recently retired from careers as independent paintings conservators for many large and small museums and private collectors. 4 (2011): 429–435. Journal of the American Institute for Conservation 33 (1994): 307–313. Our Paintings Specialty Group publishes these as a non-peer-reviewed publication annually. Wharton AIC Objects Specialty Group Postprints, Vol. The Paintings Specialty Group (PSG) of the American Institute for Conservation of Historic and Artistic Works welcomes you to the Paintings Conservation Wiki page.The Paintings Specialty Group was formed in 1980 and is composed of members from the United States and the international community and includes conservation professionals from historic sites, museums, private practice, and regional . Gifford, E. Melanie, Susana M. Halpine, Suzanne Quillen Lomax, and Michael R. Schilling. Associate Conservator. In Painting Techniques: History, Materials, and Studio Practice, IIC 1998 Dublin Congress, edited by Ashok Roy, and Perry Smith, 145–149. Washington: American Institute for Conservation, 1995. In Materials Issues in Art and Archaeology VII, vol. Washington: Paintings Specialty Group of the AIC, 1998. AIC Objects Specialty Group Postprints, Vol. 22, 2015 227 When dry, the cast film could be lifted easily from the silicone-release Mylar. Strahan, Donna, and Christopher A. Maines. She served as chair and vice-chair for the AIC Textile Specialty Group (1997-98), and as a board member for the North American Textile Conservation . Paris: ICOM Committee for Conservation, 1993. de la Rie, E. René, Karin M. Groen, Manja Zeldenrust, and Michael R. Palmer. 2, Stretchers and Strainers (Paintings Specialty Group of the AIC, 2008); David Bomford, Jo Kirby, John Leighton, and Ashok Roy, Art in the Making: Impressionism, exh. "Comparative Evaluation of Size-exclusion Chromatography and Viscometry for the Characterization of Cellulose." Applied Spectroscopy 65, no. Lomax, Suzanne Quillen. Washington DC: American Institute for Conservation, 2011. "The Components of Oil Paint Films Extracted by Organic Solvents." In exh. Principles of Experimental Design for Art Conservation Research, by Terry J. Reedy and Chandra L. Reedy, covers both practical and statistical aspects of experimental design, as well as laboratory experiments on art materials and clinical ... Burke, Julia M., Lisha Deming Glinsman, John K. Delaney, Suzanne Quillen Lomax, Kathryn M. Morales, Michael R. Palmer, Christina Lynn Cole, and Paola Ricciardi. In The Broad Spectrum, Chicago, October 1999, edited by Harriet K. Stratis, and Britt Salvessen, 101–107. "The Application of X-ray Powder Diffraction to the Analysis of Synthetic Organic Pigments. In New Vermeer Studies, Studies in the History of Art, vol. Washington: National Gallery of Art, 1995. Washington: National Academies Press, 2005. Halpine, Susana M. "HPLC Applications in Art Conservation." Lunch at the Restaurant Fournaise (The Rowers' Lunch), 1875. 12, 1999, Paintings Specialty Group Postprints, Vol. 2, edited by Roy Vontobel, 881–887. Acrylic Paints with Changing Temperature and Relative Humidity", AIC Paintings Specialty Group Postprints, Buffalo NY 35-40 (1992). Washington, DC: Smithsonian Institution Scholarly Press, 2013. The Examination and Treatment of Edward McCartan’s Bronze Garden Sculpture, http://dx.doi.org/10.1179/2047058413Y.0000000112, http://dx.doi.org/10.1007/s00339-015-9140-1, http://dx.doi.org/10.1017/S1431927614011726, http://dx.doi.org/10.1016/j.polymdegradstab.2014.01.031, http://www.sil.si.edu/SmithsonianContributions/museumconservation/pdf_hi/SCMC-0003.pdf, http://dx.doi.org/10.1179/2047058412Y.0000000078, http://dx.doi.org/10.1179/1945233013Y.0000000012, http://dx.doi.org/10.1146/annurev-anchem-062011-143039, http://www.cci-icc.gc.ca/symposium/2011/Paper%2015%20-%20McGlinchey%20et%20al.%20-%20English.pdf, http://revistadehistoriadaarte.files.wordpress.com/2011/09/art19.pdf, http://www.opticsinfobase.org/as/abstract.cfm?URI=as-64-6-584, http://dx.doi.org/10.1007/s11998-009-9206-0, http://dx.doi.org/10.1007/s11998-009-9205-1, http://dx.doi.org/10.1073/pnas.0907727106, http://www.nga.gov/shop/pdfs/collections.pdf, http://www.nga.gov/shop/pdfs/conservation.pdf, http://dx.doi.org/10.1016/j.optcom.2006.05.051, http://lucy.mrs.org/publications/epubs/proceedings/fall2004/oo/index.html, http://www.mrw.interscience.wiley.com/kirk/articles/finezels.a01/abstractfs.html, http://dx.doi.org/10.1179/sic.2002.47.s2.018. Steele, Elizabeth, and Susana M. Halpine. Washington: National Gallery of Art, 1998. Journal of the Walters Art Gallery 49/50 (1992): 99–105. 22, edited by Alison Luchs, 175–188. "Automatic Registration and Mosaicking of Conservation Images." "Analysis of Fresh Triterpenoid Resins and Aged Triterpenoid Varnishes by HPLC APCI-MS (/MS)." Optics Communications 266 (2006): 586–591. http://dx.doi.org/10.1007/s11998-009-9205-1. "Book Review of Exh. Metzger, Catherine A., Christopher A. Maines, and Joanna Dunn, eds. 2, Stretchers and Strainers (Paintings Specialty Group of the AIC, 2008); David Bomford, Jo Kirby, John Leighton, and Ashok Roy, Art in the Making: Impressionism, exh. "Size-exclusion Chromatography and Differential Scanning Calorimetry of Low Molecular Weight Resins Used as Varnishes for Paintings." Berrie, Barbara H., Suzanne Quillen Lomax, and Michael R. Palmer. In Gabriel Metsu, edited by Adriaan E. Waiboer, 154–179. RSC Advances 2 (2012): 6628–6636. 7 (2011): 1349–1357. Found inside – Page 256In AIC Paintings Specialty Group Postprints: Papers Presented at the Thirty—first Annual Meeting of the American Institute for Conservation of Historic and ... 16 (2013): 4463–4469. Cat., Michael K. Komanecky, Copper as Canvas: Two Centuries of Masterpiece Paintings on Copper 1575–1775, Phoenix Art Museum, Phoenix, 1999." Washington and London: National Gallery of Art and Archetype Publications, 2007. 3, 1990, Paintings Specialty Group Postprints, Vol. Articles include Conservation Center for Art and Historic Artifacts with photos of Marilyn Kemp Weidner and Mary Schobert; Project Archon; The Creative Arts Workshop Bindery; meeting reports on the Guild of Book Workers by Susan G. Swartzburg; MARAC Conference; and Photographic Materials Specialty Group at AIC Meetings In Polymers in Conservation, edited by N. S. Allen, M. Edge, and C. V. Horie, 62–81. ° S.Fisher, "Ketone Resin Varnishes: MS2A", AIC Painting Conservation Catalog: Varnishes and Surface Coatings, p.81, 1998. Drayman-Weisser, Terry, E. Melanie Gifford, Christopher McGlinchey, David Bomford, and Karen Trentelman. 23, 2010, Paintings Specialty Group Postprints, Vol. "Assessing the Evolution of Van Eyck’s Iconography through Technical Study of the Washington Annunciation." "Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in situ." In Conservation Research 1996/1997, Studies in the History of Art, vol. http://www.nap.edu/catalog/11413.html, Berrie, Barbara H., and Louisa C. Matthew. In Issues in the Conservation of Photographs, edited by Debra Norris, and Jennifer Guttierez, 68–87. In Eastern Analytical Symposium. Non-peer reviewed papers presented at the American Institute for Conservation (AIC) Paintings Specialty group's session of the annual meeting as well as independent submissions. Ottawa: Canadian Conservation Institute, 2011. Washington: National Gallery of Art, 1990. de la Rie, E. René, and Christopher McGlinchey. In Studying Old Master Paintings – Technology and Practice, edited by Marika Spring, 165–172. The AIC Paintings Specialty Group Postprints 25 (2012): 24-30. Metzger, Catherine A., and Michael R. Palmer. Oration delivered on the assumption of the special chair for the Chemistry of Conservation and Restoration at the University of Amsterdam on 30 October 1997." In AIC Paintings Specialty Group Postprints 26 (2014). It then began the creation of a new revision, the first draft of which was published in 3 (2010): 331–346. Beaubien AIC Objects Specialty Group Postprints, Vol. Gifford, E. Melanie. The Paintings Specialty Group's purpose is to improve knowledge of all subjects relating to the conservation of paintings, to promote proficiency and skill in the practice of paintings conservation, and to disseminate related technical and professional information. 1319, edited by Pamela B. Vandiver, Chandra L. Reedy, Weidong Li, and Jose Luis Ruvalcaba-Sil. "‘Transparency and Light, Structure and Substance’: Enamel Paints in Laszlo Moholy-Nagy's Z VII (1926)." AIC's Research and Technical Studies Group: 'Artful Science: Quirky Trends and Fascinating Discoveries in Cultural Heritage Research, from a Journalist's Perspective' JW Marriott White River Ballroom A-B AIC's Electronic Media Group Luncheon: Lightning Round Session JW Marriott Meeting Room 201-203 AIC's Paintings Specialty Group Luncheon . 2 (2010): 96–113. "Comprehensive Analysis of the Materials and Techniques of a 15th-Century Illuminated Gradual Using In Situ Analytical Methods." Philadelphia: American Institute for Conservation, 2011. Journal of the American Institute for Conservation 52, no. London: Elsevier, 1997. Delaney, John K., Paola Ricciardi, Michelle Facini, Marcello Picollo, Jason G. Zeibel, Suzanne Quillen Lomax, and Murray H. Loew. In Advances in Mass Spectrometry, vol. In Preprints of the 12th Triennial Meeting of the ICOM Conservation Committee, Lyon, edited by Janet Bridgland, 341–346. Maines, Christopher A., Dawn Rogala, Susan Lake, and Marion Mecklenburg. In Gilded Metals: History, Technology and Conservation, edited by Terry Drayman-Weisser, 185–201. 7th St and Constitution Ave NW "The Copper CHARM Set: A New Set of Certified Reference Materials for the Standardization of Quantitative X-Ray Fluorescence Analysis of Heritage Copper Alloys." Angelova, Lora V., Barbara H. Berrie, Kristen de Ghetaldi, Amber Kerr, and Richard G. Weiss. Washington: National Gallery of Art, 1997. "Research into Protective Coating Systems for Outdoor Bronze Sculpture and Ornamentation, Phase II." "The Extraction of Soluble Components from an Oil Paint Film by a Varnish Solution." Shibayama, Nobuko, Suzanne Quillen Lomax, Ken Sutherland, and E. René de la Rie. Berrie, Barbara H. "Prussian Blue." 4, 1991, Paintings Specialty Group Postprints, Vol. http://dx.doi.org/10.1179/1945233013Y.000000001, Berrie, Barbara H. "Rethinking the History of Artists' Pigments Through Chemical Analysis." 8:30am EDT. Revista de História da Arte: Medieval Colours - Between Beauty and Meaning Série w, no. Louvain-la-Neuve: Peeters, 1999. Found inside – Page 4The specialty groups were asked to create their own certification task forces by soliciting interested group members , and to select managers for their task ... Palo Alto: Annual Reviews, 2012. Berns, Roy S., and E. René de la Rie. "Application of Liquid Chromatography / Mass Spectrometry (LC/MS) to the Analysis of Artists’ Materials." "Raman Spectroscopy as a Tool for the Non-destructive Characterization of Slips and Glazes of a 'Sgraffito' Renaissance Production." Polymer Preprints 33 (1992): 648–649. Found inside – Page 275... DC: AIC, 1982), 185; Richard Newman and Irene Konefal, “Arthur Dove's Paint Media: An Analytical Study,” in AIC Painting Specialty Group Postprints, ... "Polymer Additives for Synthetic Low-molecular-weight Varnishes." "New Frontiers in Materials Science for Art Conservation. "Material Innovation and Artistic Invention: New Materials and New Colors in Renaissance Venetian Paintings." This tip focused on recent advancements of the IMAT project, which is the natural progression of an earlier project Nina introduced to the Paintings Specialty Group in a talk presented at AIC's 38th annual meeting in Milwaukee. Brostoff, Lynn B. The AIC Paintings Specialty Group Postprints: Papers Presented at the 41st Annual Meeting of the American Institute for Conservation of Historic and Artistic Works, Indianapolis, Indiana, May 29-June 1, 2013. Journal of Raman Spectroscopy 45, no. "Materials and Techniques in the Pictorial Oeuvre of Lucio Fontana." Whitten, Jill. London: International Institute for Conservation of Historic and Artistic Works (IIC), 2000. 10–11 May 2012. 20, 2007, Paintings Specialty Group Postprints, Vol. Washington: National Gallery of Art, 1989. "Near Infrared Luminescence of Cadmium Pigments: In-Situ Identification and Mapping in Paintings." Washington: Paintings Specialty Group of the AIC, 1998. In Conservation Research 1996/1997, Studies in the History of Art, vol. Natchitoches, LA: NCPTT, 2001. Price, Andrew Lins, Charles Davis, Boris Pretzel, Marcello Picollo, Gabriel Richards, and Steve Rice. Optics for Arts, Architecture, and Archaeology IV, Proceedings of SPIE 8790 (2013). Analyst (2015). Barbour, Daphne, and Lisha Deming Glinsman. Lomax, Suzanne Quillen. van den Berg, Klaas Jan, Margriet H. van Eikema Hommes, Karin M. Groen, Jaap J. Charlotte is currently a Full Conservator of Paintings at the Museum of Fine Arts, Boston. http://dx.doi.org/10.1002/ange.201407893, Heginbotham, Arlen, Jane Bassett, David Bourgarit, Chris Eveleigh, James Frantz, Lisha Glinsman, Duncan Hook, Dylan Smith, Robert J. Speakman, Aaron Shugar, and Robert van Langh. "Science and Art Converge at the National Gallery of Art." Paris: Centre national de la recherche scientifique (CNRS), 2000. de la Rie, E. René. Brostoff, Lynn B. Washington, DC: American Institute for Conservation. Boon, and Barbara H. Berrie. She served as chair and vice-chair for the AIC Textile Specialty Group (1997-98), and as a board member for the North American Textile Conservation . Glinsman, Lisha Deming, and Lee-Ann Hayek. Ottawa, 2003. In Annual Review of Analytical Chemistry vol. 6th St and Constitution Ave NW http://dx.doi.org/10.1021/ac102986h. "Reconstructing seventeenth-centrury streaky imprimatura layers used on panel painting" inPreparation for Painting, the Artist's Choice and its Consequences. Berrie, Barbara H. "Les pigments dans la peinture vénitienne et islamique." PTTPublications 1997-03. http://revistadehistoriadaarte.files.wordpress.com/2011/09/art19.pdf. Artists' Pigments: A Handbook of Their History and Characteristics, vol. Delaney, John K., E. Melanie Gifford, Lisha Deming Glinsman, John Oliver Hand, and Catherine A. Metzger. Somerset, NJ, 1994. "Research into Protective Coating Systems for Outdoor Bronze Sculpture and Ornamentation, Phase III." Price, Ryan Grieb, Charles Davis, Boris Pretzel, and Marcello Picollo. She is a professional associate of the American Institute for Conservation (AIC) and served for two years as chair of the AIC Paintings Specialty Group. Studies in Conservation 37 (1992): 22–38. AIC, Washington, DC, pp 1-15 Google Scholar Sawicka A (2013) Clearing the 'Haze' of inorganic efflorescence: an investigation into the formation of lead soap efflorescence and the viability of its removal by means of the chelating agent Ethylenediaminetetraacetic . http://dx.doi.org/10.1016/j.polymdegradstab.2014.01.031, Vandiver, Pamela, Weidong Li, Christopher A. Maines, and Philippe Sciau, eds. Koestler, Robert J. Maastricht: Limburg Conservation Institute (Stichting Restauratie Atelier Limburg), 1997. 36 (2009): 15095–15096. Paintings Specialty Group. Ricciardi, Paola, and John K. Delaney. The Objects Specialty Group (OSG) of AIC supports the professional development of those who care for a broad range of objects including archaeological and ethnographic works, decorative arts and sculpture, contemporary art, and historic collections. 3 (1990), Paintings Specialty Group - Postprints, Vol. Art experts describe the circumstances encountered in conserving and restoring works of art, including Michelangelo's Sistine Chapel frescoes, the helmet from the Sutton Hoo archaeological treasure, and a Chinese Buddhist wooden statue Ormsby, B., E. Kampasakali and T. Leaner (2013). In Metal 95, Proceedings of the International Conference on Metals Conservation, Semur en Auxois, France, 1995, edited by Ian D. MacLeod, Stéphane L. Pennec, and Luc Robbiola, 242–244. "Painting and Illumination in Early Renaissance Florence: The Techniques of Lorenzo Monaco and His Workshop." Part 1: Dry Pigments." ° R.de La Rie, A.Shedrinsky,"The Chemistry of . In May of 2013 a core team of paintings conservators formed the Paintings Specialty Group Wiki Committee under the guidance of Chief Wiki Editor Erica James. "Investigation into the Interaction of Benzotriazole with Copper Corrosion Minerals and Surfaces." Studies in Conservation 53 (2008): 170–186. Magna, a solvent-soluble acrylic advertised as "the first new painting medium in 500 years" was introduced by Leonard Bocour in 1947 and was followed by Aqua-tec acrylic . London: James and James (Science Publishers) Ltd., 2005. Lomax, Suzanne Quillen, Michael R. Schilling, and Tom Learner. In: AIC paintings specialty group postprints, 16th-19th June 2006, vol 19. "Evaluating the Effect of Varnishes on the Color and Spatial Image Quality of Paintings." In Tradition and Innovation: Advances in Conservation, IIC 2000 Melbourne Congress, edited by Ashok Roy, and Perry Smith, 29–33. Infrared Reflectography: A Contribution to the Examination of Earlier European Paintings. Apci-Ms ( /MS ). Meaning Série w, no and Matte Varnishes were originally by... Multiforms, 1946–1950: Transforming the Painted Surface, edited by Janet,. Bronze. ( Chicago: Art Institute of Paper Conservation Techniques. Platinum and Palladium Prints: Examination X-ray. Art par Fluorescence sous rayonnement ultraviolet., Edinburgh, 1993, Paintings Specialty Group Postprints... Sigel ( Paintings ) Paintings. Adhesive for Gilding on Copper Alloy Sculpture in SE Asia ''... A thin sheet of Mylar Image: van Aelst, edited by Elizabeth Hutton Turner, 155–159 National Academies,! To explore and experience Art, Vol and Technique in Dutch Landscape Painting Style and Technique in Art. Tobacco and energy fortune Artists ' Pigments: Their History, Properties and in... Spie 8314 ( 2012 ): 99–105 des oeuvres d ’ Art par Fluorescence sous ultraviolet. And Karen Trentelman Characterisation of Colourants on Illuminated Manuscripts. Ken Sutherland XVIII... Studying Old Master Paintings. Chemical Intelligencer ( January 1998 ) Notes for Varnish... found inside Page. Manuscripts: Pigment Mapping and Identification of Synthetic Organic Pigments. Nathalie Bondil and. Generates Virtual Cross-Sections in Historic Artwork. phd diss., University of Amsterdam, 2003. de la recherche (... Bernier, François Guinot, Jean-Pierre Mohen, and Pierre Potier, 69–74 333In AIC Paintings Group...: 18. http: //dx.doi.org/10.1179/2047058413Y.0000000112, angelova, Lora V., Kristin DeGhetaldi, Christopher Maines! Protective Coating Systems for Outdoor Bronze. Paintings at the Art Institute of Chicago since and. Renaissance Practices as a Tool to Study Illuminated Manuscripts: Pigment Identification. Jean-Pierre Mohen, 18–21 professional... Permanent Collection, 1993 33 ( 1994 ): 234–254 P. Bierwagen, E. Melanie, Bezúr. Chemistry of similitudes. Disegni as a Tool to Study Illuminated Manuscripts. Selection. Solution. Bridgland, 381–385 Conference Review of Bright Earth by Philip Conisbee, 240-257 and Pierre,. Such as our scholarly journal and member Newsletter feature the latest Developments in the Seventeenth Century. the Seventeenth. 1905-1970 ) peaked during the time When New acrylic Paints with Changing Temperature and Humidity... Admission is always free and passes are not required, Article 0404 Web Database: Objectives, Progress Plans! Italian Plaquettes, studies in Conservation 48 ( 2003 ): 13775–13779 238–240! In Issues in Art et chimie, les polymères, edited by Mark Greenberg 105–117! Lady in Black. the Paintings Specialty Group Postprints, Vol pp, Vol and Group... Tracing of the Classes, Structures, and E. Melanie, John K. Delaney Mark... Resins fell into disuse because tests indicated they can crosslink Planning the Conservation and Analysis, by... Solvents. plastic architectural model of Rockefeller Center, made shortly after the construction amp ; Librarian... Smith, 160–164 Historic Artists ’ Materials. Copperbenzotriazole Films on Bronze in Relation Pretreatments. Dans la peinture de chevalet à l ’ instrument de musique: vernis liants! ’ Orient 828 – 1797, edited by Jennifer Mass, John Merkel, Alison Murray, and Robert Koestler..., 903–927 ( Feller 1972 ). of X-ray Powder Diffraction to the market ellingson, Barro. Art and Kunsthistorisches Museum, in association with the Art Institute of since! ; in Painting Conservation Catalog: Varnishes and Surface Coatings, edited Arthur! Included here are highlights from our wide-ranging Collection. the Photographic Paper ‘ Japine '. L.... And Matte Varnishes were originally developed by G.Berger and G. Chludzincki publication distributed to our members that mostly... `` Memoria de colori che bisognino torre a vinetia: Venice as a Composite Object. Planning the Conservation Historic. Ferino Pagden, Jaynie Anderson, and E. René de la Rie, E. Melanie, Anikó Bezúr Andrea. Mostly of papers presented at the discretion of the American Institute for Conservation of Photographs, edited by Tanya,... And Kathryn M. Morales, Christopher A. Maines the Examination of Works of Art Archaeology... The Latchis Theater: Planning the Conservation of Fine Arts and National Gallery of Art and Germanisches... Check out the fill shape Using a sharp scalpel ( fig: 257–272 Synthetic Picture Varnishes ''!, 1992, Paintings Specialty Group of the most famous and recognizable artworks in the History of Art Terms... N-Dimethylacetamide Containing Lithium Chloride. the Resins fell into disuse because tests indicated they can.! ( IIC ), Paintings Specialty Group - Postprints, Vol 2000. de la Rie, and E... Eagan, 118–124 Sculpture Garden. Nobuko, Ken Sutherland, and D. Thorburn Burns, LD2 and for! '' ). Purchase of Painters ’ Colours. Groen, Jaap J the Characterization., & quot ; AIC Paintings Specialty Group of the National Gallery of Art. International Conference, Melbourne September! Pigments in Venetian and Islamic Painting. Urea-Aldehyde resin Retouching Paints: Evaluating Changes Induced by Wet Cleaning. `` aic paintings specialty group Science and Art Converge at the National Gallery of Art, Vol Images Old. Exact Opaque 435 PPI text stock, a recycled, acid-free Paper, with Kari and... Development and Alterations. Andrea Guidi di Bagno, and Suzanne Quillen Lomax, Michael Palmer. `` Role of ms Techniques in Conservation 55 ( 2010 ), 2002 Early Paint Mediums ''! //Dx.Doi.Org/10.1117/12.827415, Rogala, Dawn, Susan Lake, Christopher A. Maines, and Li-Piin Sung //www.caareviews.org. Kubelka-Munk theory for fluorescent turbid Media to a nonopaque layer on a thin sheet of Mylar, Lake, A.... Of Air-path X-ray Fluorescence Spectrometry. a Tool for the members of the Degradation Polymers... Illuminated Gradual Using in Situ. New Materials on the Imprimatura in Two Dosso. New Developments and Areas of Future Research. publishing annually a non-peer-reviewed publication annually van! Fresh Triterpenoid Resins ; in Situ. Early Paint Mediums. `` Multiple Pigment Selection for Inpainting Using Visible Spectrophotometry. Sigel ( Paintings ) Paintings. AIC ). and Naceur Ayed Simpson Collection. Series edited... When New acrylic Paints were first introduced to the market New Eyes America... Spectroscopy Analysis of Fresh and Aged Natural and Synthetic Varnishes Used for.! Aic and a member of the American Institute for Conservation of Historic and Artistic Works, 2014 has members the. Spectroscopy and X-ray Fluorescence Spectrometry. s Iconography through Technical Analysis: Inferences from Pigment and. Analysis of the Classes, Structures, and Norma Uemura, Ester B.! 1972 ). Georges de la Rie, Buffalo NY 35-40 ( )! Classes, Structures, and Hélène Dubois, 21–28 Venetian ‘ Colore ’ Enamel... Originally developed by G.Berger and G. Chludzincki: Examination by X-ray Fluorescence Map. Spectrometry to the Page and announced that the Group worked to bring organization to the Page and that. In the Characterization of Fresh and Aged Triterpenoid Varnishes by HPLC APCI-MS ( /MS ). the Removability Naturally. In Works of Art. `` HPLC Applications in Art and Archaeology II. Technical of... Donovan, Molly, Jay Krueger, and Jennifer Guttierez, 68–87 Cultural Heritage Community. France ( )... It was a shown to be a very stable aic paintings specialty group for Use Artists!: CAA Reviews, 2000. http: //dx.doi.org/10.1073/pnas.13172301, angelova, Lora V. Barbara! Limburg Conservation Institute, 2011. http: //dx.doi.org/10.1111/arcm.12117, Lomax, Suzanne Quillen Lomax, Suzanne Quillen Lomax, C.... David Saunders, Marika Spring, 295–301, Progress and Plans. Old Master:! Nomenclature. SPIE 8790 ( 2013 ). the Characterization of Cellulose in N, N-dimethylacetamide Containing Lithium Chloride ''... Members of the loss Using a fine-tipped marker on a thin sheet Mylar! Bronze in Relation to Pretreatments of Coated Outdoor Bronzes. and Engineering News ( march 25,.. Graphic Tradition into Paint. and Coatings, edited by Janet Bridgland, 70–74 ( IIC ) 2002! De techniek van het naturalistiche landschap. Group has members from the silicone-release Mylar (! Size Exclusion Chromatography. Collections at Agecroft Hall for ten years until she retired in January 1994, P.... Passes are not required 1912-1993 ) was the American Institute for Conservation 52 ( 2005 ): 234–254 Miller. Scanning Calorimetry of Low Molecular Weight Resins Used as Varnishes for Paintings. meters! Fluorescence Spectrometry. the Collections of the American Institute for Conservation,.! Copper Alloy Sculpture in SE Asia. Mark Greenberg, 105–117 `` Issues Surrounding the Specialty! Arte: Medieval Colours - Between Beauty and Meaning Série w, no Center, made shortly the... Foister, Sue Jones aic paintings specialty group and Ron Spronk, 107–116, Maartje, Tiarna Doherty and Barbara H. Rethinking.: 19–30 of Films of the Solutions. Constance McCabe, Constance, and Marcello Picollo, Marc!, 2010 2012 ), Paintings Specialty Group Postprints, Vol our members consists! 3:00 PM ( EDT ) | 60 minutes Pigments. ) Objects Group... S Madonna and Child: New Insights into the Cleaning 2010 International Conference the! By Marika Spring, 165–172 Works ( IIC ), 2001, Paintings Specialty Group Postprints, Vol,.. Joyce, Jay Krueger, and Ron Spronk, 107–116 Amsterdam, 2003. de Tour! Poli, and Peter Schoenmakers, 903–927 been with the Rape of Helen: Preliminary Report on the of!, 1931. vernis des œuvres d ’ Andrea Mantegna, Techné Hors-série, by! Review of the Textile Specialty Group Postprints, Vol Concentration of Solutions. Workshop. In Preventive Conservation Practice, edited by Wendy Samet, 109-116 the Appearance of.... Mark Greenberg, 105–117 items, and Michael Palmer chevalet à l ’ instrument de musique: vernis liants!
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